Dave Gibbons: SupermanBatman World's Finest



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I d read this previously nd Sleeping with the Enemy am happy to report that it holds up pretty well Gibbons script is little off Astrology and Vibrational Healing at timesnd the plot s definitely loose But Gibbons excels in the small moments such This Ravished Rose as meetings between Perry Whitend Jim Gordon Jimmy Olsen Winter's Child: A Retelling of The Snow Queen and Barbara Gordon in wheelchair sansny references to Batgirl or not yet existing Oracle or Lois Lane L'Abolition Des Droits Seigneuriaux En Savoie (1761-1793) (Classic Reprint) and Alfred Pennyworth The grudgingdmiration The Potato Factory (The Australian Trilogy, and professionalism displayed between Supermannd Batman is excellently portrayed fp- 25 Magic and Gibbons does brilliant job giving each character memorable moments without ever doing so 100% Gleek: the unofficial guide to Glee! at the expense of the other hero The use of orphanss Blue-Blooded Vamp (Sabina Kane, a plot element is well playeds wellThe plot is extremely comic book Secret Samurai and Rude really makes it shine His version of both characters remains iconic to me He does great work contrasting their styles in how he frames them his use of shadowsnd light nd how each hero moves The storytelling is sometimes slightly confused since the panels re so packed with details Hieronymus Bosch: Sticker Book and thengles sometimes so extreme it works for the panel but not lways the page but Rude still manages t least half dozen seuences forever burned into my brain notably the conversation between Bruce nd Clark in front of the Midway orphanage with the train racing past Superman giving Batman A Practical Guide to Adopting the Universal Verification Methodology (Uvm) Second Edition a copy of Zorro for Christmas Superman lifting the wall of the orphanage in Gothamnd later twirling the hammer. They What IS Sex? (Short Circuits) are the World's Finest heroes Supermannd Batman Herbal Constituents: Foundations Of Phytochemistry and they couldn't be different One is bright shinning beacon of hope nd protector to the citizens of the sparkling city of Metropolis The other hides in shadow.

Used to knock down the supportA fun book to revisit I enjoyed it So I really enjoy stories that focus on characterization which we see here in the comparison nd contrast of SupermanBatman Superfolks and LuthorJoker Gothamnd Metropolis mix It's Not A Runner Bean.. and there s lot of detail on how each hero traditionally works nd what sets them part The ending was expected but I still enjoyed it I m The Synchronicity War Part 1 a sucker for happy endingI think this could have used some editing though there were points when the Atari Inc. Business is Fun (Complete History of Atari - Volume 1) artwork was confusingnd there were lots of side characters that I got mixed up There was good mount of plot going on multiple narratives t once nd I think it was Wait, I'm a Zombie? (Peaches series Book 3) a little cluttered to readI did enjoy this though I wouldn t call it one of the greats if you re looking for crossover that s what you re going to get In some ways I feel like Gibbons writer dropped the ball on this one The story has too many stops Blubber Lubber and starts with too much behind the scenes plot really hindering the surface level plot It seemsn odd choice to have the book focus Wait, Im a Zombie? (Peaches, around two of thell time greatest villains Lex Luthor nd the Joker BUT then have the real villain be nasty behind the scenes guy who is fronted by La Ponctuation a different villain who turns out to be not so bad Just that uick villain rundown is convolutedThe individual chapters originally publisheds separate comics each have what The Lost Tribe amounts to wrap ups which makes it kind of clunky whe. Snd strikes fear into the evildoers that dwell in the crime ridden Gotham City But they have in common than they realize For one they're both orphans of sort one who has lost not just his parents but his world; n.

N you turn the page South Tamilnadu Recipes: OPOS Cookbook and the story continuesnd I really didn t feel like there was much in the way of characterization Mostly it seems like Gibbons was depending on rtist Steve Rude to pick up the slack And to some degree Rude did just that Some really beautiful work is on these pages Some truly classic depictions of both Batman nd Superman making them look heroic larger than life but still human And Rude is no slacker the panels Burung Kolibri Merah Dadu are filled with extra bits human drama in the background fully realized environments Rude has lot to be proud for on these pages What Our Eyes Have Witnessed and I want to given dditional shout out to my pal Karl Kesel who did fabulous job on the inks So ll in ll Gibbons did fairly good job but Rude did n outstanding job I know that Gibbons can be better writer than this nd I wish he would have shown that on this project When you have n rtist like Rude when you know he s going to knock it out of the park it s worth the writer s time to build better park The draw here is the rt opposed to the story Gibbons s storytelling suffers from Walkers a lack of focusnd direction There s Away Running almost no point other than having Supermannd Batman switch cities while fighting Luther nd Joker Steve Rude s rt on the other hand is fantastic I love the classic look he brings to the book He makes Batman s original costume Warriors, Volume 4 actually look good And I mlways drawn to the look of Fleischer s Superma. D nother who witnessed the cold blooded murder of his partents Now they must come together to battle two of the most feared villains Lex Luthor nd The JokerOriginally published in the mini series WORLD'S FINEST #1

characters SupermanBatman World's Finest

Librarian noteThere is than one author in the GoodReads database with this nameDave Gibbons is an English comic book artist writer and sometime letterer He is best known for his collaborations with writer Alan Moore which include the miniseries Watchmen and the Superman story For the Man Who Has Everything He also was an artist for the UK anthology 2000 AD for which he contributed a l